ABOUT
The Fedorova&Takser Piano Duo is one of Canada’s most creative and virtuosic ensembles, celebrated for their original transcriptions, multimedia collaborations, and boundary-pushing performances. Trained at the Moscow and Montreal Conservatories, Ilya Takser and Daria Fedorova have performed internationally, earning acclaim for their own arrangements—including a widely praised transcription of Mussorgsky’s "Pictures at an Exhibition" for two pianos. Their recent CD releases on the Genuin label were enthusiastically received by audiences and esteemed colleagues, and earned high praise from critics. Notably, "La Scena Musicale", Canada’s leading classical music magazine, awarded the duo five stars and its highest rating in the June issue. In 2014, the duo founded the Fedorova&Takser Piano Studio in Vancouver, which has since become one of the most respected private music schools on the West Coast. Their students have won top prizes at national and international competitions and have been regularly accepted into prestigious institutions such as Juilliard, Eastman, Oberlin Conservatory, the Manhattan School of Music, and the Montreal Conservatory, among many others. Combining European traditions with a modern, individualized approach, the studio continues to nurture the next generation of outstanding pianists.



5-star review
★★★★★
[...] Debussy’s Petite Suite, in all its freshness, reveals not only the duo’s excellent chemistry, but also the delicacy and vivacity of their phrasing. Pure delight!"
"A real success, both conceptually and musically![...]
LaScena Musicale, issue June 2025
[…] an original selection from this era […]. The introduction is atmospheric with the tone-painting Three poems op. 20 by the American late Romantic composer Edward MacDowell; painted in cheerful colours, with permeable elegance: Debussy's early Petite Suite, followed by Franz Schubert's rhythmically sharply contoured Four Polonaises D 599 [...]
Review by Stephan Schwarz-Peters,
PIANIST, issue 1/2025
[...] What could have been a standard four-hand program turned into a master class of artistry and ensemble playing—confirming the oh-so-famous adage: it is not what you play, but how you play it [...]
LaScena Musicale, issue March 2025
5-star review
★★★★★
[...] The first movement stands out for its virtuosity, its driving rhythm and its long, extremely free ornamental lines, as if it were truly improvised.
The duettists are incredibly precise in their attacks, and wonderfully recreate the constant swaying effect that is so typical of jazz [...]
LaScena Musicale, issue June 2025
PRESS



PHOTO GALLERY
MEDiA
Where to catch us in 2025/26 season
May 4-6
May 7-12
May 13-17
May 21-22
May 28
Leipzig
Berlin
Prague
Richmond, BC
Vancouver
Bechstein Center
TBA
Debut Album Recording
Private Masterclass
Concert at the
Roy Barnett Hall,
University of British Columbia
to be updated soon
